Historical yet Modern
The TK template was designed together with Amsterdam-based bassoonist and reed maker Takako Kunugi. Known for her expertise in historical performance, Takako has delivered masterclasses in Mexico and Argentina and regularly performs with leading ensembles, including B’Rock Orchestra, Bach Collegium Japan, Yokohama Sinfonietta, Holland Baroque, Die Kölner Akademie, Die Wiener Akademie, Les Musiciens du Prince-Monaco, Anima Eterna Brugge, and Boxwood & Brass. She was also the baroque bassoon soloist for the Cydonia Barocca | Muziekfestival Gent 2021.
Background Information
Takako Kunugi prefers a gouge thickness of 1.44 - 1.46 mm when measured dry, and medium hard cane for producing her reeds.
She primarily uses the B2 and similar shapes.
Settings and Processing
The TK template should be aligned with the long line on the template positioning ruler for optimal preparation. Takako recommends a thickness of 0.47 - 0.55 mm at 2 mm behind the tip after profiling.
Fine Tuning
For improved playability and a balanced sound of the instrument, you can make the following adjustments to your reed:
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Depending on your profile, you may need to blend the transition on the side of the reeds (area A).
If necessary, the response can be made easier by scraping the tip (area B).
If you are satisfied with other aspects of the reed but find it too tiring for the lips, try scraping (area C).
If you would like the reed to have a little less vibration gently file the back of the blade (area D).
If you need more flexibility gently file the around the spine (area E).
- Center Thickness
- 0.34 mm at tip
- Instrument
- Baroque Bassoon
- Heart Shape
- Thumbnail
- Channels
- None
- Manufacturer
- Reeds 'n Stuff
- Country of origin
- Germany
- Product number
- 1199-005151199-00515